Author Archives: everlookphotography
This is a review of NiSi’s new Titanium CPL. NiSi were kind enough to send me an 82mm thread screw on CPL which fits onto my Canon 24-70mm F2.8II lens. For information about the benefits and limitations of using a CPL, see my previous article here: https://everlookphotography.wordpress.com/2017/09/19/tips-for-using-a-cpl-effectively/
There is a sad story of my first attempt to review this filter. I had started taking shots on a recent trip to Vancouver when unfortunately during transit, the camera fell lens first onto hard ground. As you can see from the picture below, the glass shattered so I had to dispose of the filter, but you might also make out that the Titanium frame is actually in-tact. Previously when this situation has occurred (I try not to make a habit of dropping my camera gear lens first!) , I’ve had great difficulty removing the filter but in this case, perhaps the strength of the Titanium filter maintained its integrity allowing an easy removal despite a hard impact. There was absolutely no science behind those assumptions but it does explain why I don’t have any ‘before and after’ forest images to show you.
This actual review is based on a shoot from Port Noarlunga. I intentionally chose this location as my preferred composition was close to perpendicular to the sunrise. Maximal polarisation tends to occur 90 degrees to a light source so these compositions allow a good test of how the filter might affect the sky in the image. As I was overlooking water from a cliff, it also allowed me to test the ability of the filter to allow ‘see through’ to the river floor. It is important to point out that this filter is a screw on filter that is independent of NiSi’s filter holder systems . This is another reason why I chose not to shoot directly into light else under normal circumstances, I would be using NiSi’s V5 filter holder setup and inbuilt CPL so that I can use other GND filters.
I will make no comment on the packaging and presentation of the filter itself other than to say that it is as professional as other NiSi products and as a photographer who rips of the wrapping to get into the gear ASAP, it won’t bear any influence on your results. I liked it.
The appearance of the filter looks as though it might cool the image due to a blueish tint. I was also intrigued by doing a ‘screen test’. You can do this at home by holding up a CPL in front of a computer monitor and rotating it 90 degrees. Previous versions of CPLs have blacked out the screen at specific orientations whereas this filter gave a warming/cooling effect depending on its orientation. It’s solidly built and as mentioned before, the frame withstood a belting during an accident! It rotates seamlessly and smoothly.
During my field testing , I came to the following conclusions which you can view from the images below:
- The see through effect is well achieved in the water and the polarisation effect is visible in the sky. Interestingly in the position I was shooting, the polarisation of the sky was most defined in the image with water unpolarised. Similarly, you can see that the image with ‘see through’ water has a more homogenous sky appearance with less definition.
- The images confirm the warming/cooling effect of this filter. Both images below have been adjusted to have exactly the same white balance and tint (7200k , tint 11) . You can definitely see that the image on the right with ‘see through’ effect has the warmer appearance. (All other minor slider adjustments in lightroom were identical between both images which were also taken with a 3 stop soft edged GND handheld to best demonstrate the sky effect of the polariser).
- This filter blocks approximately 1.66 to 2 stops of light. This needs to be taken into consideration when adjusting shutter speed for an appropriate exposure. This degree of light blocking is similar to NiSi’s filter holder system CPLs.
My conclusion is that this an excellent filter that will give you all of the desirable properties of a CPL. Because it is a screw on filter, it is more suited to walk-around handheld shooting. This is not the filter you are after if you are predominantly shooting with a tripod and wish to use other GNDs and ND filters to prolong exposure. After testing this filter, I would be asking myself questions in two different scenarios (with proposed answers):
- If I don’t have a CPL , should I buy this filter? My answer is yes. It is my opinion that a CPL is an invaluable piece of equipment for the landscape photographer and unfortunately, it’s just not practical to walk around with any filter holder kit setup all the time. A tougher question is whether you should buy this filter over another CPL and without having used other brands in a while, I can’t confidently answer this question for you other than to vouch for the quality of this filter in isolation.
- If I already have a CPL, what does this filter add? To me, its advantages are in its build quality (no science to back this up!), and its warming/cooling effect. I guess much of this also depends on how much you aim to get images looking as you want ‘in camera’. This filter definitely allows you to achieve varying ‘in camera’ results. Otherwise, I personally would find it hard to justify buying this filter over and above the already excellent HUC series of screw on filters that NiSi offer (or other brand equivalents).
I hope this provides you some useful information about the filter and if you have any questions, ask away in the comments below! Here are some edited images taken with the Titanium CPL.
Lately I’ve been noticing that social media has been giving me less enjoyment. I feel I’ve been emphasizing physical fitness more than anything else when I’m not working so it was with great frustration that I was disabled for the best part of 1 month while recovering from appendicitis. During that period, I had thought that I would be active on social media and crank out some of the images and videos from the New Zealand trip but it turns out that there wasn’t a whole lot of material from that nightmarish trip. I’ve found myself idly browsing instead and have come to the realisation that I’ve just been wasting a lot of time browsing without interacting, dreaming without acting and worst of all , getting frustrated with inactivity.
I suppose everyone has heard of the theory that ‘more is less’ ; implying that an inundation of social media content can result in ‘meaningless’ interaction and actions that are based on obligation rather than a true desire to engage. Then there’s the flipside that ‘less is more; meaning that if you post rarely and only the very cream of your content , each post will have more value. While I agree that both are true from an ‘artistic intent’ point of view, a simpler interpretation of volume content tends to hold true for social media. That is plain and simply ‘more is more’ and ‘less is less’.
It’s this very demand of social media interaction that leads to a photographer forcing content out when perhaps there isn’t content to be had. I’ll be honest in saying that I certainly felt this pressure but a few years ago, the positive reinforcement of genuine engagement kept driving me to fulfill my post obligation for the day. Sure there was some degree of quality control I would impose upon myself but many of the posts were 2nd and 3rd preference images from a scene I had shot in the past. Some would argue vehemently against this kind of posting behaviour but I guess it all depends on how a photographer wants to portray themselves. I personally don’t mind showing to the world that not every picture I take is of gold quality. Perhaps by showing the lesser versions of an image and the ‘B sides’ others can learn from my mistakes. Perhaps if the leading landscape photographers did this more there would be a portrayal of more fallibility thereby making them more ‘relatable’. It could even be through a ‘BTS’ account which I see many have already done.
I see this in my line of work as a physician. Too often, case presentations are given where the clinician speaks of an interesting patient using a tone of congratulatory ‘high fiving themselves’ for their ability to pick the final diagnosis. I feel that I learn more from the exact same presentation, but with the emphasis changed to discussing errors and limitations of the team during the process of coming to the final diagnosis. These give invaluable lessons as to how the same diagnosis could be reached in a more efficient way in the future. Relating this back to photography, I’m sure many of you reading this have tried an approach to editing a difficult image where said approach just wasn’t working. Maybe you came back to it a few times, maybe you scrapped it entirely or maybe you asked someone else for some advice in order to achieve the final image you’re proud of. This process of experimentation and ‘fails’ is rarely something that is discussed perhaps for fear of not being seen as an ultimate player in the broadening world of landscape photography. Having said all of this, I do strongly believe that somewhere ,there should be a spot/site reserved for the cream of the crop, a place for pure inspiration to show off what we are most proud of. For me this is our ‘everlookphotography.com’ site (not facebook or instagram)
I’m writing this knowing that many people will disagree but if I had a resolution to make about my life in general, it would be to help others through pointing out the mistakes I’ve made and how I learned from them. I’d like to extend this to my photography for a period of time and hope that you can learn through my error prone eyes 🙂
Before embarking on a family and photographic holiday, I tend to dream big. I dream of all the locations we could visit both as a family and individually at the ends of the day to capture the rugged landscapes with favourable light. I had done my usual route planning through a mixture of using google maps, image searches and asking locals as to what was possible in the area. I had high hopes of shooting scenes that were perhaps slightly out of the box from what was normally shot in the general areas we were staying. Perhaps next trip, I’ll lower those expectations somewhat as several health-related issues threw huge spanners into the machinations of our plans A-Y. Plan Z needed to suffice.
I won’t go into the details of the health issues except to say that the most minor of the issues was that my rear tooth crown fell off on the first night at dinner. The major issue was that I was suffering from bacteraemia (bacteria growing in the bloodstream) for the first 3 days of the trip due to a worsening case of appendicitis that ended in a small self-contained rupture of that pesky, unnecessary organ. Three days into the trip, I found myself undergoing emergency surgery and thereafter needing some strong pain medication and a prolonged course of antibiotics. In effect, the first 10 days of the trip felt like I was floating painfully through a delirium caused initially by sepsis, then drugs. Marianne had to literally do everything including child minding 24/7, all the lifting of luggage and all of the driving that I would normally do on our trips. It’s amazing that she stayed as sane as she did!
My health issues put into context the types of images I would return with. Instead of long hikes to grand vistas of wilderness, there were short 5 minute walks to roadside locations. Instead of scampering around to find multiple compositions from a scene, I could only stick with one. Instead of carrying a variety of lenses and two cameras to allow simultaneous time-lapse and stills shooting at various focal lengths, I could only carry one body and one extra lens as I was not allowed heavy lifting in the recovery period. Astro photography was the one genre that needed to be wiped out entirely as I needed all the rest I could get. Overall, it was such a disappointment to have to deal with these limitations, but it did make me focus on maximising what I could make of any given scene which was a positive.
Mount Manganui is an easily accessed mountain that juts above the landscape north west of Tauranga. After a 20 -30 minute walk , a precarious view point allows great images of the rising sun over the township of Mount Manganui and Tauranga beyond. I intended to take images of night followed by twilight to blend in the city lights, but the changing light and subsequent white balance made this somewhat tricky. In retrospect, I wondered why I was shivering up on the summit while every one else was in shorts. On the way down, right sided abdominal pain with each step was a sure sign that something was going wrong in the belly! No further images were possible from the area which was a shame as we really wanted to visit the Rotorua Redwoods at night as a family.
I had so many plans for this area including a walk beyond Cape Kidnappers and visiting a few of the local waterfalls. Because I was stuck in Tauranga hospital, we had to forfeit one night’s stay here which meant our trip here was just an overnighter en-route to Castlepoint. By this stage, I could walk one pace at a time while dopey on tramadol and I could not wear by usual filter pouch on my waist. As such, those long walks transformed into a 100m morning stroll to the beach where I shot some images with intentional camera motion to represent my delirium.
Things were starting to improve by this point in the trip. I was able to walk short distances, but I was now troubled with antibiotic side effects! I had planned to walk up Castle Rock for a different vantage point of the coast and I had planned to walk beneath the lighthouse at low tide. Both options were simply not possible, so I carried as light a pack as possible to photograph the lighthouse. On our last morning, I even felt game enough to use a ladder to get to a different vantage point.
Our three nights here was the turning point in the trip. I was nearly a week post op now which meant that I could drive! I had also changed my own antibiotic dosing to cover the infection and to minimise my side effects. Narcotic analgaesia also went out the window here thankfully! As such I was able to find a few compositions here which I think are relatively unique including various images of the ‘Taupo Tree’, somewhat of a poor cousin to her famous Wanaka counterpart. During our drive from Castlepoint to Turangi I had noted some remarkable roadside spots along the desert road which I returned to at dawn. We were blessed with some great light displays during our time here and my mind wonders as to what I would have seen from the summits of the Tongariro Alpine Crossing given the amazing roadside light that I experienced.
Our main objective here was to give the kids a great experience staying on a farm-based BNB where they could interact with the animals. We also wanted them to experience the glow worms where now at least Charlotte will be able to remember the experience more clearly. Along the way, there were some great streams and waterfalls to shoot in the area including the mighty Marokopa falls and the beautiful natural arches and tunnels. I would say that I did not have to modify my original plans much in this area at all. The biggest challenge was the muddy descent to the base of Marokopa Falls which was as slippery and mucky as I remembered from our 2014 trip. My ulterior motive here was to try for a requested postcard shot of Marokopa falls. It was also serendipitous that our evening glow worm tour had no other occupants and that our host Kyle was very interested in photography. As such, I was given the time to attempt some glow worm photography with moderate exposures. To do a proper job, I would need a private tour to allow 30minutes to an hour for a single composition instead of the 5 minutes that I had given the kids were with us as well.
Our final landscape location was the idyllic seaside holiday spot of Urenui, 30km north of New Plymouth. Due to my improving health, I again did not feel that my shooting was hampered other than not being able to carry enough gear for simultaneous time-lapse shooting with a second body. The conditions here were very good though by playing it safe with the tides, the opportunities for very dynamic (and potentially risky) shots were taken away. The coast here can be very wild, but our experience was that of placid seas and comfortable kid friendly environments. I would want to challenge myself at a later date to visit with a higher tide at some stage in the future. The three sisters (now two due to erosion the of the third sister) were the main feature along the south side of the Tongaporutu river. Despite how amazing the North Side appears, I found it extremely difficult to find engaging compositions here. I have a short video of access to the North side for those interested in exploration. The seascape opportunities around Urenui itself were also good! At the western end of the beach, there are a series of arches that can be accessed at low tide but unfortunately, the largest collapsed recently resulting in an isolated seastack and surrounding debris. Our final dawn here was the onset of wilder weather to come for our departure which included a farewell gift of a rainbow.
In summary, the last 7-8 days of our trip felt like it was approximating our usual travelling style. By the time we returned to Auckland, we were all in the mood to do ‘homely’ weekend things including normal shopping and eating asian food (of which Auckland has plenty of choices , including probably the best Roti Canai I have had in memory at a food court in Manukau). Unfortunately, the toll of the first 10 days of my illness and the subsequent stresses placed on Marianne and the kids meant that things never really felt the same afterward. By the end of the trip I was able to give Marianne much more ‘me’ time by taking the kids off her hands, something which I would be doing throughout the trip. I was so sad to hear Charlotte say (with a smile though) that she would like the first 10 days of our trip back because I wasn’t there ☹ I don’t know how many of you have experienced bad luck like this on your holidays but as a cliché to conclude upon : finding ways to view the experience in a positive light and finding ways to stick together go a long way toward normalising such a traumatic and disruptive event. Photographically, the key for me was to not focus on ‘what could have been’ but how I could best adapt to my changing health status.