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“North Island 2018: A journey through dreams and delirium”


Before embarking on a family and photographic holiday, I tend to dream big. I dream of all the locations we could visit both as a family and individually at the ends of the day to capture the rugged landscapes with favourable light. I had done my usual route planning through a mixture of using google maps, image searches and asking locals as to what was possible in the area. I had high hopes of shooting scenes that were perhaps slightly out of the box from what was normally shot in the general areas we were staying. Perhaps next trip, I’ll lower those expectations somewhat as several health-related issues threw huge spanners into the machinations of our plans A-Y. Plan Z needed to suffice.

Original plans in red. Adjusted plans in blue.

I won’t go into the details of the health issues except to say that the most minor of the issues was that my rear tooth crown fell off on the first night at dinner. The major issue was that I was suffering from bacteraemia (bacteria growing in the bloodstream) for the first 3 days of the trip due to a worsening case of appendicitis that ended in a small self-contained rupture of that pesky, unnecessary organ. Three days into the trip, I found myself undergoing emergency surgery and thereafter needing some strong pain medication and a prolonged course of antibiotics. In effect, the first 10 days of the trip felt like I was floating painfully through a delirium caused initially by sepsis, then drugs. Marianne had to literally do everything including child minding 24/7, all the lifting of luggage and all of the driving that I would normally do on our trips. It’s amazing that she stayed as sane as she did!

My health issues put into context the types of images I would return with. Instead of long hikes to grand vistas of wilderness, there were short 5 minute walks to roadside locations. Instead of scampering around to find multiple compositions from a scene, I could only stick with one. Instead of carrying a variety of lenses and two cameras to allow simultaneous time-lapse and stills shooting at various focal lengths, I could only carry one body and one extra lens as I was not allowed heavy lifting in the recovery period. Astro photography was the one genre that needed to be wiped out entirely as I needed all the rest I could get. Overall, it was such a disappointment to have to deal with these limitations, but it did make me focus on maximising what I could make of any given scene which was a positive.


Mount Manganui is an easily accessed mountain that juts above the landscape north west of Tauranga. After a 20 -30 minute walk , a precarious view point allows great images of the rising sun over the township of Mount Manganui and Tauranga beyond. I intended to take images of night followed by twilight to blend in the city lights, but the changing light and subsequent white balance made this somewhat tricky. In retrospect, I wondered why I was shivering up on the summit while every one else was in shorts. On the way down, right sided abdominal pain with each step was a sure sign  that something was going wrong in the belly! No further images were possible from the area which was a shame as we really wanted to visit the Rotorua Redwoods at night as a family.

Mount Manganui as a ‘time stacked’ image. Lights from before dawn and lights in the sky from after dawn

Hawke’s Bay

I had so many plans for this area including a walk beyond Cape Kidnappers and visiting a few of the local waterfalls. Because I was stuck in Tauranga hospital, we had to forfeit one night’s stay here which meant our trip here was just an overnighter en-route to Castlepoint. By this stage, I could walk one pace at a time while dopey on tramadol and I could not wear by usual filter pouch on my waist. As such, those long walks transformed into a 100m morning stroll to the beach where I shot some images with intentional camera motion to represent my delirium.

It was a real struggle to walk the 50m out to the shore from our apartment but I just wanted some fresh air!


Things were starting to improve by this point in the trip. I was able to walk short distances, but I was now troubled with antibiotic side effects! I had planned to walk up Castle Rock for a different vantage point of the coast and I had planned to walk beneath the lighthouse at low tide. Both options were simply not possible, so I carried as light a pack as possible to photograph the lighthouse. On our last morning, I even felt game enough to use a ladder to get to a different vantage point.

It took all my energy to get here while my original plan was to climb the hill in the background!


Our three nights here was the turning point in the trip. I was nearly a week post op now which meant that I could drive! I had also changed my own antibiotic dosing to cover the infection and to minimise my side effects. Narcotic analgaesia also went out the window here thankfully! As such I was able to find a few compositions here which I think are relatively unique including various images of the ‘Taupo Tree’, somewhat of a poor cousin to her famous Wanaka counterpart. During our drive from Castlepoint to Turangi I had noted some remarkable roadside spots along the desert road which I returned to at dawn. We were blessed with some great light displays during our time here and my mind wonders as to what I would have seen from the summits of the Tongariro Alpine Crossing given the amazing roadside light that I experienced.

This image of Ngauruhoe was remarkable only a short distance from the highway!

The ‘Taupo’ tree was an easy option as I could drive the 5 minutes there while not on strong painkillers. As it turns out,it was a pretty cool location!


Our main objective here was to give the kids a great experience staying on a farm-based BNB where they could interact with the animals. We also wanted them to experience the glow worms where now at least Charlotte will be able to remember the experience more clearly. Along the way, there were some great streams and waterfalls to shoot in the area including the mighty Marokopa falls and the beautiful natural arches and tunnels. I would say that I did not have to modify my original plans much in this area at all. The biggest challenge was the muddy descent to the base of Marokopa Falls which was as slippery and mucky as I remembered from our 2014 trip. My ulterior motive here was to try for a requested postcard shot of Marokopa falls. It was also serendipitous that our evening glow worm tour had no other occupants and that our host Kyle was very interested in photography. As such, I was given the time to attempt some glow worm photography with moderate exposures. To do a proper job, I would need a private tour to allow 30minutes to an hour for a single composition instead of the 5 minutes that I had given the kids were with us as well.

The amazing glow worm staircase of Footwhistle’s cave.

Marokopa Falls was roaring but the trip down to the base was very messy ! Be warned!


Our final landscape location was the idyllic seaside holiday spot of Urenui, 30km north of New Plymouth. Due to my improving health, I again did not feel that my shooting was hampered other than not being able to carry enough gear for simultaneous time-lapse shooting with a second body.  The conditions here were very good though by playing it safe with the tides, the opportunities for very dynamic (and potentially risky) shots were taken away. The coast here can be very wild, but our experience was that of placid seas and comfortable kid friendly environments. I would want to challenge myself at a later date to visit with a higher tide at some stage in the future. The three sisters (now two due to erosion the of the third sister) were the main feature along the south side of the Tongaporutu river. Despite how amazing the North Side appears, I found it extremely difficult to find engaging compositions here. I have a short video of access to the North side for those interested in exploration. The seascape opportunities around Urenui itself were also good! At the western end of the beach, there are a series of arches that can be accessed at low tide but unfortunately, the largest collapsed recently resulting in an isolated seastack and surrounding debris. Our final dawn here was the onset of wilder weather to come for our departure which included a farewell gift of a rainbow.

Post sunset hues of the remaining two sisters (of three) with Taranaki blazing red in the distance on the horizon

Our last morning of shooting was punctuated by a rainbow – a sign of hope for the future!!!

In summary, the last 7-8 days of our trip felt like it was approximating our usual travelling style. By the time we returned to Auckland, we were all in the mood to do ‘homely’ weekend things including normal shopping and eating asian food (of which Auckland has plenty of choices , including probably the best Roti Canai I have had in memory at a food court in Manukau). Unfortunately, the toll of the first 10 days of my illness and the subsequent stresses placed on Marianne and the kids meant that things never really felt the same afterward. By the end of the trip I was able to give Marianne much more ‘me’ time by taking the kids off her hands, something which I would be doing throughout the trip. I was so sad to hear Charlotte say (with a smile though) that she would like the first 10 days of our trip back because I wasn’t there ☹ I don’t know  how many of you have experienced bad luck like this on your holidays but as a cliché to conclude upon : finding ways to view the experience in a positive light and finding ways to stick together go a long way toward normalising such a traumatic and disruptive event. Photographically, the key for me was to not focus on ‘what could have been’ but how I could best adapt to my changing health status.

Walking back from the three sisters after a great sunset shoot and nature play for the girls. Things were approaching normality finally by this stage.


Favourite Photographic moments of 2017

It’s that time of the year again!

2017 has been a year where I feel that I’ve shot less than in previous years but there have been some very special moments in the field for me. With Marianne switching to other artistic media full time, there have been less images to post but I hope you’ve still managed to enjoy at least some of them! This year, I’ve gone with the KISS principle (Keep It Simple Stupid). I’ve shot when I’ve felt like it, in a manner that brings me joy and presented the images that reflect a sense of happiness and wonder. In previous years, I feel that I’ve been overly concerned with other photographers’ perception of my motivation to shoot and the way images were processed. As a result, I started trying to shoot like other people, present images with a look similar to others. In hindsight, this was beneficial for my development as tried to teach myself to see things differently but in the end, I always come back to what I love : the grand, sweeping landscape bathed in vibrant light. I feel this is largely reflected in my favourites as even the longer focal length images attempt to convey the grand scene. If you have the time, see if you can pick the two images shot with the 70-200 and the two images shot at 24-70 focal length.

As the children grow up, they play more of a role in each shoot whether it’s part of the behind the scenes stories or whether the shoot is part of a grand plan for a whole day. With that in mind, here’s a countdown of my 12 most valuable experiences for the year.

12. Starting off with my favourite backpacking trip of all time! In January, I joined Luke Tscharke, Francois Fourie and Tim Wrate on a 5 day trek along the Western Arthurs to Lake Oberon. This image was taken after the first night of hiking . We had woken up to misty whiteout conditions which quickly cleared to a glorious morning. There are naturally a few more scenes from this trip in my countdown!

Strata: Scott’s Peak from the Arthurs

11. Noosa Heads National Park. In June of this year, we visited the Sunshine Coast as part of a family holiday. We had all walked out to enjoy the evening on this stretch of coast when sudden showers had everyone scampering for cover. I stayed out in the rain with Brisbane photographer Steven Waller and witnessed some amazing light on sunset. This was a poignant moment for immediately after the joy of witnessing this, I slipped and in fell the A7r2 into the water …..

Noosa Heads National Park

10. Lake Bonney has always been a great go-to location for me. Because it’s a fair distance from Adelaide, I tend to go when the girls have a sleepover at the grandparents! So it was that on this morning, I was testing the Laowa 12mm F2.8 lens and was greeted with fantastic astro conditions after midnight followed by an amazing dawn! As with many of the shots this year, the photographs were taken in the context of mixing photography and family commitments. I drove straight from Lake Bonney to Port Gawler where we had a very successful crabbing session to fill our bellies for the next couple of evenings!

Colour Bomb at Lake Bonney : Taken with Laowa’s 12mm zero-D F2.8 lens

9. The Wanaka Tree: I must admit, I just don’t get the hate for this location. I shot here twice during the last trip to New Zealand. Once at sunset while waiting for takeout and the other at dawn on our last morning. On both occasions, I wasn’t really pushing myself to be overly creative but was blessed with great conditions. On both occasions , I managed to have some great conversations with people who were shooting there. I don’t make enough face to face contact with photographers and feel that perhaps I can be a bit elusive in the field ! These moments are valuable for me to shoot with others in mind and trying to come away with something different to the 20 other photographers there.

The Wanaka Tree on a glorious golden dawn!

8. Motukiekie beach has to be one of the most dramatic seascape locations in the world.  The addition of starfish colonies in the area perhaps put it even above many of the others! I was lucky enough to visit this location during a very low tide which allowed the whole family to experience the grandeur of this location. We stayed nearby and managed a few trips to this spot punctuated by one particularly awesome evening.

Blazing light after sunset shared with the wildlife and the family made this evening extra special

7. My only astro shot in this compilation was this memorable morning above Lake Oberon . At the time of this shot  (with moonrise and milkyway rise occurring simultaneously), I had been explosively ill with some dodgy freeze dried Kung Pao chicken from this previous evening. Blowing wind and rain did not help the cause one bit! Thankfully around this time, the weather started to settle along with the bowels and I was able to take this image!

Genesis : Moonrise, Milkyway rise and sunrise all interplay over a magnificent outlook of the Western Arthurs

6. Rocky Creek Canyon. In November, Marianne and I celebrated our 10th wedding anniversary and decided to venture somewhere without the kids. Our last trip without Charlotte and Jaime was to Karijini so it would seem that we have a love of canyons! We are forever grateful to Jake Anderson and Blue Mountains Adventure Company who made this visit possible for first time visitors with a very limited time window. Normally, we wouldn’t be jumping into the water with the air temperature at 11 degrees but with the appropriate gear and guidance, it was a ton of fun! This was the last shot I took before heading out.

The entrance to Rocky Creek Canyon is a visual maze of curves and lines.

5. Nelson Lakes National Park has so much more to offer than just the jetty that is often shot. As pretty as that scene is, I feel it’s only a prelude to the wilderness beyond and hope to revisit the area in the future. This second trip up to Lake Angelus hut was special in that I had never really visited locations in full winter conditions. The Lake itself was completely frozen as was the water supply. Having to chip wood to start a fire, boil ice for water and help frostbitten late comers into the hut made this an amazing experience over and above the photography.

Golden light shines through passing cloud in a frozen wonderland around Lake Angelus

4. Back to the Tasmanian wilderness! After an evening and day of being battered by 100km gusts while being holed up in our tents, the following evening appeared to clear somewhat. I made a quick decision to hike up to the ridge above Lake Oberon and was greeted by an amazing light show.  Golden rays were shining through rapidly moving cloud at eye level which made me feel as though I was standing in the midst of a timelapse.

Square Lake and Procyon peak illuminated following storms

3. Hooker Lake is one of my favourite in and out walks while visiting Aoraki National Park. One day, I’m hoping to get some colour and cloud over this spot but on this year’s trip, the clear skies worked its magic . The night temperatures were subzero which led to the shores of the Lake starting to freeze over. The patterns of ice were fascinating and I chose to use the 12mm lens to accentuate their depth. While this scene didn’t give the sense of awe that other scenes did, I really liked this image the moment I shot the 3 frames needed for it. Marianne commented instantly ‘that’s the shot of the trip’ when she saw my LCD even though we were only 8 days into a 3 week trip!

Ice Glyphs around the edge of Hooker Lake

2. There are some mornings where the light bathes you in crimsons and reds. I was lucky enough to experience one such morning while watching the icebergs slowly move on a still Tasman Lake. This was our last morning in the Mount Cook area and what a send off it was! I to get to this scene and almost ran out of petrol for the return trip back to the south end of Lake Pukaki where we were staying.

A breathtaking dawn at Tasman Lake

Number One! It should come as no surprise that my favourite image from the year and favourite morning of shooting for the year came from the Western Arthurs hike. This particular morning also started off grey but with swirling clouds above, there were moments of brilliant passing light that was simply magical. We lingered until the last possible moment of light and packed up headed back for Lake Cygnus. For the remaining 2 days on the track we would be engulfed in swirling, wet,greyness as though mother nature had declared that this scene was our gift for the trek. It’s likely that this will be my favourite image of all time for quite a while.

Oberon Glory : A sight that will be forever burned into my memory

If you follow our work, how did that list pan out for you? Were there any other images that you remember giving you a stronger impression than the ones I’ve posted? If so, it’s always good to know so leave your thoughts in the comments below! Wishing everyone a fantastic photographic 2018 🙂

The Art of Simplicity and Acceptance

(Disclaimer: These are my personal own views and ‘might’ be an excuse to post some of our recent New Zealand images but I’ll it entirely up to you to agree or disagree ! )

Does this image reflect peace and acceptance? Glenorchy Lagoon certainly gives me a tranquil feel when I’m there and I hope that is translated to you as the viewer.

Lately I have been reading a few magazine articles, skimming through a few social media threads and even discussing over skype the concept of art in photography. I’ve come to the conclusion that if I am viewed as an artist, then it’s a great bystander effect for an intention that is much simpler and far less cerebral. It has been a little disappointing that some of these articles have voiced an opinion that to tread the well-worn path is tantamount to committing some sort of artistic disservice to one’s self.  There has also been a tendency to favour wordy exposition over direct communication often with only a somewhat veiled message (translation : huh? what did you just read?). While none of this is new, I feel that social media’s penchant to polarising debates have resulted in an ‘arty’ faction criticising the ‘artless’ many.  I would make the argument that there is an art to simplification , a skill to stripping back one’s intentions and  messages to their bare essentials without the need for extraneous distractions.  I would also make a plea that part of being an artist is simply accepting that others may have a different point of view which is no less valid than your own, just different.

Tasman Lake : My intention was to wade to the other side but I was unable to because of strong currents. No near death encounters, no stories of surviving icy waters ( I was in comfy waders) , no deeper meaning to the image than just capturing the beauty before my eyes.

Personally ,I try to err on the side of ‘dot point’ prose rather than a ‘text wall’ approach. I make attempts to write in an uncomplicated manner as possible rather than using obscure words and quotes to bolster an artistic frame from a simple message.  (oh crap, did I just use fancy words? Let me simplify that : I write, you understand. That is my goal!)

Perhaps simplicity of thought is reflected in simplicity of the scenes we are attracted to?

I remember one of my high school teachers describing the considerations one makes when attempting to write a poem. He introduced the concept of word economy and attempting to condense entire lines of thought into a simple representative verse.  Commonly these days, I see quite the opposite : where lines upon lines of prose result in a single message that is either obscured of left intentionally vague.  In the right frame of mind, it can be quite fun to read these articles or image captions as one is consistently trying to decipher the hidden meanings behind the drawn out text. I don’t have any issue with such articles, only when the echoing chorus of support considers this to be the only valid style of writing.

I shot this image of the Wakefield Falls runoff with the intention of a monochromatic end result with a short textured water exposure and textureless flowing sky from a separate long exposure. Unfortunately I cannot give you what my deeper profound meaning for this image was but you are welcome to interpret one for yourself 🙂

There are a great many photographers who explore the realms of writing and philosophy.( I do not consider myself one of these as I just state an opinion every time a light bulb appears in my mostly dimly lit brain). I think there is great value in the approach of deriving a deeper meaning behind any given image but in all truthfulness, that is not our intention. I’m sorry to disappoint if you thought otherwise of our images but we are literally trying to recreate a scene and emotion from a given moment in time. Our thought processes are very predictable and systematic at the time of a scene. It becomes a question of how I translate a scene where my thoughts are literally a broken record playing back a repetition of ‘Wow’, ‘this place is soooo amazing’, ‘I’m getting goosebumps looking at this amazing scenery’ (among other calmly said expletives). The image caption hopefully reflects this.

I hope this image from Isthmus Peak conveys to you the same sense of wonder as the light sprayed through gaps in the cloud.

Once an image hits the post processing phase, it’s a question of how I want to glorify a scene such that you as the viewer can have that same broken record playing back in your head to some degree. In order to achieve that, I try to eliminate unwanted technical distractions like strange colour shifts , impossible looking light sources, elements that any local will know have been manipulated. Ironically, many of those issues arise not from ‘over’ manipulation but rather, global manipulation that hasn’t been considered enough. The qualities of the image itself hopefully reflects this.

The Aurora Australis over Lake Wakatipu was an accidental highlight of the trip. I made a decision to stay warmer with this image since the less intense aurora in the evening were processed ‘cooler’.

This overriding theme of simplicity is one that suits me and one that I am frequently escaping to after experiencing the stresses of a day job that requires more analysis than what I feel like deriving from a hobby.  This is what I hope our presentation to social media reflects in a somewhat cathartic manner.

The Wanaka Tree was possibly the simplest shoot for us to get to , but we weren’t going to avoid it just because it’s simple or that other people have photographed it before. There are many versions of this tree, but we don’t have any and I do want our version of it as a memory of the conditions and location.If it’s good enough on its own merits, it might go into the portfolio.

I would propose that the presentation of a photograph does not need  any ‘artistic’ cerebral afterthoughts in order for it to be considered valid.  To criticise an image for having no such thought process seems to show a disdain for those whose intentions (like ours) were not ‘artistic’ to begin with but whose result may still be considered a type of art.

Jetty shots and selfies are often targets of criticism. “I don’t do selfies” . “I don’t do jetties”. That’s fine but accept that other people like photographing all manner of subjects. Doing this by myself , it was a fun exercise to take a few frames before I was in the right relative position between pillars.

But wait you say, these are surely first world problems that we need not argue about yet result in passionate discussion which can sometimes degenerate into frank argument?? These are examples of the many whose moderate opinions are out voiced by the bitter outrage of the impassioned few repeatedly stating their case. Perhaps it’s just me but I see a theme there that goes beyond first world comforts and is the root of many of our invented world conflicts.  What can we extrapolate for our day to day lives from the disastrous consequences of world events brought upon by opinionated factions refusing to accept any other model of thought? Perhaps acceptance that our life circumstances are all different and that these circumstances frame our differing world views.  Relating this to our insignificant little arguments of art in photography:  seriously, I don’t care if some wish to exclusively photograph deep and abstract images of obscure subjects, so why should these artists care that others love to shoot beautiful landmarks that have been photographed many a time before.

We do try to photograph frequently shot scenes differently. The Moeraki Boulders are one such scene. Whether it’s a shot we treasure depends on the end result and not simply because it’s different or shot with ‘higher’ intentions.

Just keep it simple if it suits you. Shoot what you feel like shooting  and don’t complicate the issue by imagining that you may be somehow artistically superior for picking the less chosen path. There is an art to simplicity.  By the same token, go out and explore that untrodden path , stray away from the masses but please place that at higher personal value and not promote it as having higher intrinsic value for everyone else. And I say this as someone who values experiencing and viewing images of locations ‘off the beaten path’.  I may not personally appreciate the serial icon shooter (derisively named as ‘trophy hunters’), but who am I to hand down condescending judgment on the photographer whose motivations leads him/her to do so. There is an art to acceptance.

The Ohau range shot with multiple planes of camera movement. We have so many ‘fail’ frames from this fun exercise. Whether we did achieved this in one frame or through complicated post processing may matter to you, but in presenting the final result, I can only expect people to like the image if the image itself is any good. The story itself is a separate issue.

Peace all!