Lately I’ve been noticing that social media has been giving me less enjoyment. I feel I’ve been emphasizing physical fitness more than anything else when I’m not working so it was with great frustration that I was disabled for the best part of 1 month while recovering from appendicitis. During that period, I had thought that I would be active on social media and crank out some of the images and videos from the New Zealand trip but it turns out that there wasn’t a whole lot of material from that nightmarish trip. I’ve found myself idly browsing instead and have come to the realisation that I’ve just been wasting a lot of time browsing without interacting, dreaming without acting and worst of all , getting frustrated with inactivity.
I suppose everyone has heard of the theory that ‘more is less’ ; implying that an inundation of social media content can result in ‘meaningless’ interaction and actions that are based on obligation rather than a true desire to engage. Then there’s the flipside that ‘less is more; meaning that if you post rarely and only the very cream of your content , each post will have more value. While I agree that both are true from an ‘artistic intent’ point of view, a simpler interpretation of volume content tends to hold true for social media. That is plain and simply ‘more is more’ and ‘less is less’.
It’s this very demand of social media interaction that leads to a photographer forcing content out when perhaps there isn’t content to be had. I’ll be honest in saying that I certainly felt this pressure but a few years ago, the positive reinforcement of genuine engagement kept driving me to fulfill my post obligation for the day. Sure there was some degree of quality control I would impose upon myself but many of the posts were 2nd and 3rd preference images from a scene I had shot in the past. Some would argue vehemently against this kind of posting behaviour but I guess it all depends on how a photographer wants to portray themselves. I personally don’t mind showing to the world that not every picture I take is of gold quality. Perhaps by showing the lesser versions of an image and the ‘B sides’ others can learn from my mistakes. Perhaps if the leading landscape photographers did this more there would be a portrayal of more fallibility thereby making them more ‘relatable’. It could even be through a ‘BTS’ account which I see many have already done.
I see this in my line of work as a physician. Too often, case presentations are given where the clinician speaks of an interesting patient using a tone of congratulatory ‘high fiving themselves’ for their ability to pick the final diagnosis. I feel that I learn more from the exact same presentation, but with the emphasis changed to discussing errors and limitations of the team during the process of coming to the final diagnosis. These give invaluable lessons as to how the same diagnosis could be reached in a more efficient way in the future. Relating this back to photography, I’m sure many of you reading this have tried an approach to editing a difficult image where said approach just wasn’t working. Maybe you came back to it a few times, maybe you scrapped it entirely or maybe you asked someone else for some advice in order to achieve the final image you’re proud of. This process of experimentation and ‘fails’ is rarely something that is discussed perhaps for fear of not being seen as an ultimate player in the broadening world of landscape photography. Having said all of this, I do strongly believe that somewhere ,there should be a spot/site reserved for the cream of the crop, a place for pure inspiration to show off what we are most proud of. For me this is our ‘everlookphotography.com’ site (not facebook or instagram)
I’m writing this knowing that many people will disagree but if I had a resolution to make about my life in general, it would be to help others through pointing out the mistakes I’ve made and how I learned from them. I’d like to extend this to my photography for a period of time and hope that you can learn through my error prone eyes 🙂
It’s that time of the year again!
2017 has been a year where I feel that I’ve shot less than in previous years but there have been some very special moments in the field for me. With Marianne switching to other artistic media full time, there have been less images to post but I hope you’ve still managed to enjoy at least some of them! This year, I’ve gone with the KISS principle (Keep It Simple Stupid). I’ve shot when I’ve felt like it, in a manner that brings me joy and presented the images that reflect a sense of happiness and wonder. In previous years, I feel that I’ve been overly concerned with other photographers’ perception of my motivation to shoot and the way images were processed. As a result, I started trying to shoot like other people, present images with a look similar to others. In hindsight, this was beneficial for my development as tried to teach myself to see things differently but in the end, I always come back to what I love : the grand, sweeping landscape bathed in vibrant light. I feel this is largely reflected in my favourites as even the longer focal length images attempt to convey the grand scene. If you have the time, see if you can pick the two images shot with the 70-200 and the two images shot at 24-70 focal length.
As the children grow up, they play more of a role in each shoot whether it’s part of the behind the scenes stories or whether the shoot is part of a grand plan for a whole day. With that in mind, here’s a countdown of my 12 most valuable experiences for the year.
12. Starting off with my favourite backpacking trip of all time! In January, I joined Luke Tscharke, Francois Fourie and Tim Wrate on a 5 day trek along the Western Arthurs to Lake Oberon. This image was taken after the first night of hiking . We had woken up to misty whiteout conditions which quickly cleared to a glorious morning. There are naturally a few more scenes from this trip in my countdown!
11. Noosa Heads National Park. In June of this year, we visited the Sunshine Coast as part of a family holiday. We had all walked out to enjoy the evening on this stretch of coast when sudden showers had everyone scampering for cover. I stayed out in the rain with Brisbane photographer Steven Waller and witnessed some amazing light on sunset. This was a poignant moment for immediately after the joy of witnessing this, I slipped and in fell the A7r2 into the water …..
10. Lake Bonney has always been a great go-to location for me. Because it’s a fair distance from Adelaide, I tend to go when the girls have a sleepover at the grandparents! So it was that on this morning, I was testing the Laowa 12mm F2.8 lens and was greeted with fantastic astro conditions after midnight followed by an amazing dawn! As with many of the shots this year, the photographs were taken in the context of mixing photography and family commitments. I drove straight from Lake Bonney to Port Gawler where we had a very successful crabbing session to fill our bellies for the next couple of evenings!
9. The Wanaka Tree: I must admit, I just don’t get the hate for this location. I shot here twice during the last trip to New Zealand. Once at sunset while waiting for takeout and the other at dawn on our last morning. On both occasions, I wasn’t really pushing myself to be overly creative but was blessed with great conditions. On both occasions , I managed to have some great conversations with people who were shooting there. I don’t make enough face to face contact with photographers and feel that perhaps I can be a bit elusive in the field ! These moments are valuable for me to shoot with others in mind and trying to come away with something different to the 20 other photographers there.
8. Motukiekie beach has to be one of the most dramatic seascape locations in the world. The addition of starfish colonies in the area perhaps put it even above many of the others! I was lucky enough to visit this location during a very low tide which allowed the whole family to experience the grandeur of this location. We stayed nearby and managed a few trips to this spot punctuated by one particularly awesome evening.
7. My only astro shot in this compilation was this memorable morning above Lake Oberon . At the time of this shot (with moonrise and milkyway rise occurring simultaneously), I had been explosively ill with some dodgy freeze dried Kung Pao chicken from this previous evening. Blowing wind and rain did not help the cause one bit! Thankfully around this time, the weather started to settle along with the bowels and I was able to take this image!
6. Rocky Creek Canyon. In November, Marianne and I celebrated our 10th wedding anniversary and decided to venture somewhere without the kids. Our last trip without Charlotte and Jaime was to Karijini so it would seem that we have a love of canyons! We are forever grateful to Jake Anderson and Blue Mountains Adventure Company who made this visit possible for first time visitors with a very limited time window. Normally, we wouldn’t be jumping into the water with the air temperature at 11 degrees but with the appropriate gear and guidance, it was a ton of fun! This was the last shot I took before heading out.
5. Nelson Lakes National Park has so much more to offer than just the jetty that is often shot. As pretty as that scene is, I feel it’s only a prelude to the wilderness beyond and hope to revisit the area in the future. This second trip up to Lake Angelus hut was special in that I had never really visited locations in full winter conditions. The Lake itself was completely frozen as was the water supply. Having to chip wood to start a fire, boil ice for water and help frostbitten late comers into the hut made this an amazing experience over and above the photography.
4. Back to the Tasmanian wilderness! After an evening and day of being battered by 100km gusts while being holed up in our tents, the following evening appeared to clear somewhat. I made a quick decision to hike up to the ridge above Lake Oberon and was greeted by an amazing light show. Golden rays were shining through rapidly moving cloud at eye level which made me feel as though I was standing in the midst of a timelapse.
3. Hooker Lake is one of my favourite in and out walks while visiting Aoraki National Park. One day, I’m hoping to get some colour and cloud over this spot but on this year’s trip, the clear skies worked its magic . The night temperatures were subzero which led to the shores of the Lake starting to freeze over. The patterns of ice were fascinating and I chose to use the 12mm lens to accentuate their depth. While this scene didn’t give the sense of awe that other scenes did, I really liked this image the moment I shot the 3 frames needed for it. Marianne commented instantly ‘that’s the shot of the trip’ when she saw my LCD even though we were only 8 days into a 3 week trip!
2. There are some mornings where the light bathes you in crimsons and reds. I was lucky enough to experience one such morning while watching the icebergs slowly move on a still Tasman Lake. This was our last morning in the Mount Cook area and what a send off it was! I to get to this scene and almost ran out of petrol for the return trip back to the south end of Lake Pukaki where we were staying.
Number One! It should come as no surprise that my favourite image from the year and favourite morning of shooting for the year came from the Western Arthurs hike. This particular morning also started off grey but with swirling clouds above, there were moments of brilliant passing light that was simply magical. We lingered until the last possible moment of light and packed up headed back for Lake Cygnus. For the remaining 2 days on the track we would be engulfed in swirling, wet,greyness as though mother nature had declared that this scene was our gift for the trek. It’s likely that this will be my favourite image of all time for quite a while.
If you follow our work, how did that list pan out for you? Were there any other images that you remember giving you a stronger impression than the ones I’ve posted? If so, it’s always good to know so leave your thoughts in the comments below! Wishing everyone a fantastic photographic 2018 🙂
Some of you who follow our work would know that a circular polariser (CPL) lives on the front of our lenses. Recently, we’ve made a change to using Nisi filters which means that for the most part, we use the kit CPL included with their variety of holders. As with many phases of development in photography, using a CPL is one of those subjects where once you discover it, there’s an initial trend to blindly use it no matter the situation! (Didn’t we all go through that to some degree with ‘HDR’ ??) With time and experience though, one becomes a little more judicious and refined with its use. I would say that a CPL is used for the majority of our images and I thought I’d share some do’s and don’ts about their use.
What does a CPL do?
- Cuts out reflections : particularly useful for forest scenes.
- Deepens natural colours : useful for most scenes.
- Acts as a very light ND filter (1-1.5 stops): useful for seascapes in bright light.
- They are potential rainbow killers! Be wary of having a CPL on with wide angled lenses if you think a rainbow is even a possibility.
- It’s also another piece of glass that could interfere with image quality , particularly in moist situations and prolonged shooting. If I had to choose between polarisation for colours and a clean image, I would choose a clean image and remove the CPL.
What do you do with the dial?
- Its maximal effect is perpendicular to light source. If you point your index finger to the light source and poke your thumb out perpendicularly, the maximal polarisation occurs in the plane as you rotate your hand around.
- If your CPL has a dot on it, point that to the light source for maximal effect but use judgement depending on the presence of plain skies in particular.
- Don’t forget to turn the CPL if you happen to change from landscape to portrait orientation (or vice versa) otherwise one of your images will have no polarisation effects!
- Use it to deepen the greens and allow a ‘see through’ effect to river beds.
- Point the ‘dot’ on the CPL up to the sky.
- Remove it if needing to keep foliage still with faster shutter, or alternatively, take separate frames with the CPL on at higher iso /larger aperture to allow adequate exposure at the desired shutter speed.
- And remember (again), turn that CPL if you change orientation!
- Very good with long focal lengths to isolate your subject with blue skies.
- Avoid using with wide angled images especially when perpendicular to light source (or expect to have to correct in post process) .
- Use it to enhance detail in clouds : be wary of patches of open sky in the clouds themselves.
- When in doubt with open skies, take the CPL off. It can be quite tricky to blend images with polarised and unpolarised images.
- Can enhance natural colours and reduce glare off rocks.
- Sometimes the glare or reflection shooting into sun is required/desired therefore you may not want to use the CPL.
- Sometimes in bright light, you may be using the CPL purely as a light ND filter in order to achieve 0.3-0.5 second exposures in bright light.
- I consider a CPL a very important part of a landscape photographer’s kit.
- If your CPL does not have a ‘dot’ I would experiment and perhaps even mark out where the ‘dot’ for maximum polarisation should be as a time saver.
- Forest scenes are where they truly allow colours to sing .
- Beware situations where you would rather not use one : plain skies, sunstars, rainbow opportunities and shutter dependent low light scenes
- Most importantly, you need to decide according to your shooting style and preferred subjects whether you invest in one. Lastly, if you do invest in one, consider using screw-on filters for shooting handheld. For tripod situations using a filter holder, I would recommend using the NiSi filter holder system which has the CPL as part of the holder itself (take this with a grain of salt as I am an Australian Nisi ambassador !)
Happy shooting all and I hope there was at least one bit of information there that was useful! We’re off the New Zealand 🙂