Adelaide goes crazy in March. Adelaide is a sunset city. Its coast faces west and experiences some amazing conditions , particularly when the weather turns stiflingly warm and muggy. This happened for an extended period at the start of March madness this year and rather than being dbreezied* at home, I headed out a couple of times make use of the ongoing late sunsets offered by a prolonged daylight saving period.
*dbreezied : a term invented by USA photographer David Thompson : adj. The feeling of having the wind taken out of your sails when amazing light occurs and you, as a photographer, are nowhere near a landscape shooting possibility. Possible uses : “OMG did you see that nuclear sunset, here is a #dbreezied shot taken from my backyard”
Since returning from my last trip to Tasmania, I had been waiting for my metabones to return from BH. I might add that the returns process to BH was 100% painless and administration free. During this period, I had not been doing any shooting but the beckoning light lured me back toward the perfectly functional 6D sitting in a drawer waiting for use. Those who follow us may have realised that I have been doing a lot of complaining about the sony A7r2 in the field and loving it in the post process portion of image creation. The chance to go ‘back’ to a canon body was a real acid test in terms of whether it would feel like ‘going home’ or whether in actual fact, the sony did have its good points. I have mixed feelings.
In the field, the reliability of not having to play around with the metabones was a definite bonus. I did however notice a few things I preferred about the sony in the field. First was the ability to change iso directly through a dial (one button less than the default canon settings). Second , was the ability to have easy access to timed bracketed shooting. I know I could probably do this with the canon with some setting up but it’s nice that sony included that option in their default shooting modes. Lastly, I definitely prefer the Hejnar L bracket set up which places the camera and lens in a similar position that a lens collar and footing would. This is particularly relevant for me since I shoot with a remote which can get in the way when setting up an L plate attached to the camera body for vertical images. In reality, shooting with sony in the field wasn’t as bad as I had made it out to be , particularly since I now have an almost 100% foolproof ‘fix it’ routine for metabones errors. My main anxiety in the Tasmania trip was that I would have no backup should the sony fail in the wilderness.
Strangely enough, going back to canon raised another issue with post processing images. Sure the sony has the clear edge on resolution and dynamic range over my 6D but colour optimisation is not its strong point (particularly in the red spectrum). I’m not 100% sure why, but they seem much easier to ‘extract’ from canon RAW files than playing around with white balance and tints on the sony files. It just seems that much harder (albeit definitely possible) to portray a real golden colour or intense reds working with the sony files.
On the filter front, I’ve now acquired a Nisi 15 stop filter to experiment with. So far the conditions have been unkindly grey since I received this dark and cool piece of glass so I’ll probably have to wait until an upcoming weekend away to Kangaroo Island before I can reliably report back on its utility. As ever, watch this space!
In other random thoughts , I’ve been wondering why landscape photographers seem to act in a self destructive manner? I can’t imagine anything good coming of the quarrels that exist (mainly to do with post processing but some even to do with ‘turf wars’.) It’s OK for people to have different opinions. It’s OK for people to debate. It’s not OK to assume that your opinion is somehow more valid than the next person’s even if that opinion is the oft quoted ‘do what you like’ stance. Like it or not, whatever we as individuals do has an impact on the collective group , be it a tiny ripple or a tidal wave. Food for thought 🙂
Next update after a 4 day quickie to Kangaroo Island, then it’s time to hunt for some autumn colours locally!
Posted on April 1, 2016, in Australia, How we..., Photography, Random Musings, South Australia and tagged adelaide, australian landscape photographer, backyard, Everlook, home, Landscape, Long exposure, myponga beach, nisi filters, Photography, port noarlunga, Port Willunga, storms, sunrise, Sunset, Weather. Bookmark the permalink. Leave a comment.